In yesterdays post I alluded to how Dark Side of the Moon reminded me strongly of Abbey Road.  I must not be the only one, because the image above is all over the internet.  This leads to an interesting debate amongst music fans, mostly ardent Pink Floyd people, that claim that Pink Floyd is the spiritual successor to the Fab Four.  Some go even further claiming that Pink Floyd’s dazzling studio mastery and reflections on more mature philosophical themes elevate them as a technically greater band then the Beatles.  I’ll address the claims in reverse order.  While its true that Pink Floyd was a massive commercial success in the 70s, among the top 3 bands in the decade, they are not the Beatles of the 70s.  What Pink Floyd did was continue the Beatles psychedelic studio experimentation in the pop rock format, pushing its boundaries and increasing its sonic power.  Like the Beatles, their best songs had strong melodies, beautiful harmonies, and precise arrangements.  The difference is, Pink Floyd was a psychedelic folk band, while the Beatles were an ever expanding rock and roll outfit, encompassing a wide variety of styles and sensibilities.  At their height, Pink Floyd reached a massive arena audience and influenced youth culture strongly with their detached nihilistic messages railing against a corrupt and oppressive system.  At the Beatles height, they did all things Pink Floyd accomplished, times a factor of  100, plus creating the universe of youth culture that Pink Floyd successfully tapped into.  Tracing back to the first argument, in which people claim that Pink Floyd are spiritual successors of the Beatles, it is true, but so was practically every other band that came after the Beatles.  Pink Floyd were the best group that continued the Beatles perfect psychedelic folk experimentation heard on the White Album and copped the professionalism and thematic track linking the Beatles employed in creating Sgt. Pepper and Abbey Road.  It was just a few aspects of the Beatles that Pink Floyd carried on, not the whole bundle, but honestly, who could do everything the Beatles did?  This is no knock on Pink Floyd, merely a comment on the truly extraordinary accomplishments the Beatles achieved.  I’m sure most Pink Floyders would probably agree this because I’d be hard pressed to find a PF fan that didn’t like the Beatles.  Those that disagree are just not being fair to history and are letting their Pink Floyd love cloud their objective judgement.  Anyway, those are my opinions on the subject, and I have no problem with others thinking otherwise, its a fun debate.  I have one more song today from Dark Side of the Moon, “Time.”  “Time” is one of the best songs on the album, a sweeping collage of sound effects, guitar power, and haunting lyrics.  It’s a philosophical song about wasting ones life presented as an angry rant.  It’s almost a call to arms, and its fascinating.  Enjoy.

When I was 17 years old, I first heard Her Wallpaper Reverie, a sort of mini Apples in Stereo LP, and I was blown away.  It was the first time I’d ever heard anyone from the Elephant 6 Collective, and they were making the exact sort of music I was missing in the world.  In my mind, I pictured front man Robert Schneider as a young, handsome, and skinny punk rocker, a new symbol for the pop world to rally around.  Little did I know he was a portly balding redheaded nerd with glasses.  The resurrection of neo psychedelic pop would have to wait for a more photogenic rock star to emerge, but goddamn did Robert and the Apples know how to make songs.  Obsessed with the Beatles and the Beach Boys, Robert and his band of merry rockers cut some of the catchiest and well recorded rock and roll of his generation, all in relative cult like obscurity.  His one problem were his lyrics, which ran the gamut between childlike and stupid, and often ruined the gorgeous creative gems he would cut with silly irrelevance.  This in no way stops the band from being great, or fun, but in my mind, holds them back from being anything really daring or meaningful.  It’s kind of a harsh criticism, because the music Robert was making was so beautiful, that the lyrical content should be considered an afterthought to his overall concept of bringing true psychedelic pop back to life.  His accomplishments in this field influenced a ton of great bands including Of Montreal, Neutral Milk Hotel, and Olivia Tremor Control, all groups found on the E6 roster.  The song below, “I Told You Once,” from 2010’s Travellers in Space and Time, is another example of Robert’s insane ability to write perfect pop music with flawless mathematical precision.  This song, and all the songs from the album, are heavily influenced by ELO’s Time, the only ELO record I’ve ever listened to coincidentally.  Time was a pompous, overblown, snyth rock explosion, and not for anyone but serious pop music nerds.  The fact that Robert of the Apples sites this as a major influence endears me to no end, and is proof positive that even the most inane cultural artifacts all have their worshipers.  All this talk about the Apples and E6 is taking me hard and fast down memory lane, so expect more of this stuff all week.