On August 15th, 1965, the Beatles arrived in New York City, to play a massive sold out show at Shea Stadium, the former home of the New York Mets.  The concert was a big deal for many reasons.  First off, it was the largest rock concert to date, setting the stage for Woodstock, Altamont, and all the mega stadium rock tours that would follow.  At the time, it was the highest grossing live event in the history of show business, raking in 304,000 dollars from 55,000 plus crazed fans.  Lastly, it was the apex of the “Beatlemania” phenomenon.  The Beatles were live, in New York City, playing to the largest live audience then imaginable, a live audience frenzied beyond comprehension.  Girls were fainting, screaming, rushing the field, and peeing themselves.  Police Officers were deafened by the noise, and outside the screaming girls, everyone else was stunned into hysterics by the absurdity of the event.  The Beatles, loaded up with fresh 100 watt Vox amplifiers, couldn’t hear themselves or each other, and the concert itself was broadcast to the crowd over the tinny Shea Stadium PA system.  The Beatles did the best they could to just plug away and hope they were playing together.  They did somehow manage to pull off a coherent performance, considering the circumstances, bashing through their most raucous rockers in the middle of a sustained chaos.  The videos capturing the event have been highly edited and bootlegged over the years.  The Beatles manager Brian Epstein, in concert with Ed Sullivan’s production team, filmed a documentary of the event that has never seen an official release, outside of a TV broadcast in 1967. The documentary itself was overdubbed with vocal retakes on some songs, some more jarringly out of place then others.  The entire concert, in documentary form, does exist on youtube, but its incomplete and the quality isn’t great. What I have below is first a rare HD look at the part of the documentary showing the Beatles getting ready for the show, selected scenes from the Beatles Anthology, and documentary footage I found stitched together as concisely as possible. While edited and incomplete, they represent the best image and sound quality of the show available on youtube.  It’s still a lot of fun, and I’m waiting for the day to get my hands on the final HD remaster of the show in full.  Until then, enjoy one of the greatest events in the history of live musical performance…

If you’ve read this site enough, you know that I like making declarations, so here is a strong one.  “All Those Years Ago,” is required listening for Beatles fans and one of the best George Harrison songs ever.  It was written by George Harrison as a song for Ringo Starr to sing, but Ringo thought the vocal melody was too high for him.  So, it went to the scrap heap.  Then John Lennon was murdered on the streets of New York City, stunning the world.  I’m sure right away, Beatles fans the world over expected a musical tribute of some sort from Paul, George, and Ringo.  Rumors of a reunion must have been strong, despite the concept being horribly illogical with John’s passing.  On a certain level, the pressure must have been high on these guys to do something, which was of course, cruelly unfair.  If your best friend died, would anyone expect you to make a commercial pop song?  A song that would be judged by music critics?  Well, the guys did respond, they are artists after all.  Paul made “Here, Today,” a touching ballad.  George took his stalled Ringo project, changed the lyrics, and made it a John Lennon tribute.  In many ways, it would be the closet thing people got to a Beatles reunion until the “Anthology” in the mid 9os.  Ringo was on drums, George was singing lead, Paul was on bass and sang backup with his wife Linda.  Famed Beatle producer George Martin contributed to the track’s production along with Geoff Emerick, the famous Beatle studio engineer.  The song is a nostalgic wonder, mixing elements of Chuck Berry guitar riffage, Bob Dylan lyricism, and sweet Beatle vocal backing magic, all classic marks of George’s songwriting.  The lyrics tell the story of George’s love for John, and his agreement with John’s life philosophies.  It also includes attacks on John’s critics, my personal favorite part.  It accomplishes a lot of ideas both musically and lyrically, but leaves you wanting more.  That’s probably the point because the biggest crime in John’s death, outside the destruction of his family, was how this was a man taken too soon.  John was nowhere near finished as an artist and as a leader of peace loving people around the world.  George knew that more then anyone, and created a song that I, and many others, can’t help but replay over and over.  Enjoy.

Well, the world didn’t end, which is nice, so the youtube countdown continues with part 68.  I have the “Jimi Hendrix of Ukelele,” Jake Shimabukuro, performing “While My Guitar Gently Weeps” from the “White Album.”  Taking place at Strawberry Fields in Central Park, this is one of the most amazing performances I have ever seen.  This guy plays the song with flawless soulful precision.  The way he incorporates the melody of the song into his beautiful precise rhythm is uncanny.  It’s also just a flat out wonderful tribute to George Harrison, who LOVED the ukelele.  Actually, all the Beatles loved the ukelele, having gained an appreciation from John’s sweet mother Julia.  If you’ve never played or heard a ukulele in person, I highly recommend it.  It’s really easy to play, and just produce the most buttery gorgeous tones.  Anyway, enjoy this video, its really something else.

In part 20 of my youtube favorites countdown, we delve a bit into the sadder side of Beatle history with a clip of Paul McCartney reflecting on the life of his then recently deceased pal John Lennon.  Now, when most people think of Paul’s reaction to John’s death, they either think of this clip where he says rather horribly, that “Its a drag,” and nothing more.

But that’s totally unfair, as Paul was probably so stunned, that he was just rambling answers to the press in hopes to just get the fuck away from them.  For a fairer look at Paul’s feelings on the subject, we have this priceless clip.

In it, we see Paul first talk about the old days at the Cavern Club, going on about “Searchin’,” an old Coasters song.  I love his imitation of teenage John’s singing, its borderline mocking, but you could tell he really loved him.  Then the clip skips to Paul playing John’s “Beautiful Boy,” from John’s last record Double Fantasy.  Paul immediately wells up  and starts singing along.  It’s a touching moment.  I’ve read quotes about how around this era, Paul was desperate to write with John again, and it shows here.  It’s a magic bond thing Paul tried to recreate with the likes of Stevie Wonder, Elvis Costello, and Michael Jackson, but never came close to finding.  However, I have read a lot about how the ice between the two was beginning to crack around this time, and that a reunion was inevitable.  It’s not well known, but a reunion was in the works for over a decade, as they all agreed to create the “Anthology” project long before it had a name.  They were very cognizant of managing their legacy and Beatle empire in the coming years, and John was to play a big role in it.  Why?  Because what was becoming evident was, since they broke up, the Beatles popularity and myth continued to explode, and they were consistently among, if not the top sellers in the 70s, 80s, and 90s, in all commercial music.  In fact, people don’t really understand that the reason Paul, George, and Ringo united to do the “Free as a Bird” and “Real Love” singles was because they knew, had John lived, a reunion of some form or another was likely in the late 80s or early 90s.  Well, anyway, you can read more about that stuff on wikipedia’s history of the Beatles Anthology by clicking these words, but for now, enjoy this great clip, and genuine moment.

Part 5 of my youtube countdown continues with my favorite group ever, the Beatles. This outtake of “And Your Bird Can Sing,” is from the Revolver sessions, and features the boys overdubbing some crazed vocals. If you are a fan of human beings, there is no way to possibly hate this thing you are about to play. I love this take because it displays the incredible friendship they all had, as well as the joy they experienced in making all that wonderful music. By the way, this track is featured in the legendary Beatles Anthology Series, Volume 2. My favorite volume out of the 3, so pick that up if you don’t have it.  There is so much I could say about the Beatles, my love for them, and what they mean, but that’s all gonna come in a massive post/video extravaganza someday, not in my little youtube countdown, so enjoy this for now, and stay tuned as we have now crossed the 1/5 mark!