So, several months ago, I posted a song I made called “Funeral Business,” on this site.  The presentation of the song was wrapped around a simple title card youtube video, nothing fancy.  Well, consider the fanciness level knocked up a notch.  Over the past month, I’ve been slaving away on music video extravaganza for this song, and after 9 versions, its finally ready to the world.  The video features your favorite Ghostbusters, as well as your favorite ancillary Ghostbuster characters, all rocking with spooky verve to “Funeral Business,” a song of thrashingly dynamic rock power.  The song’s origins trace back to my college days, neglected, but never forgotten.  When I dusted it off last Spring, I had my good friend and musical genius Ian Wehrle help me flesh out some lyrics and construct a better bridge.  I then brought in another musical genius, Andrew Lee, to play the jaw dropping guitar solo that appears in the middle of the song.  The second, and less draw dropping guitar solo, was performed by me, so future Andrew Lee fans, don’t judge that solo’s simplicity with that of Mr. Lee’s now legendary, um, future achievements.  The rest of the music was produced and performed by yours truly, Willie Simpson.  The video itself, which went through 9 alterations, was willed into its final version with aid coming in the form of technical advice and moral support from film making genius, George Gross.  George is an up and coming movie man whose work not only helped inspire this video, but has been featured on this very site.  (Just click his name to see.)  The deliciously cool title card sequence was edited and co-conceived by this site’s brilliant banner creator, Sonia Rapaport, an insanely talented visual artist in her own right.  I also want to thank Lilja Nielsen, my  sonically battered roommate, who provided candid insight with each incarnation, as well as enormous patience as “soooulll” echoed endlessly throughout our little apartment.  With that, I proudly present, “Funeral Business,” for you all to enjoy and share with your friends.

I was sitting around in Portland, Maine yesterday with nothing better to do, when on came the “Coneheads” movie.  I haven’t seen in quite sometime, but its one of those movies where you just have to sit through the whole thing.  I was amazed at the parade of 90s comedy superstars appearing in one scene after another.  Not only did you have original SNL stars Dan Aykroyd and Jane Curtin in their iconic roles, you had Seinfeld stars Jason Alexander and Michael Richards, mega comedy stars Adam Sandler, Phil Hartman, and Drew Carey, and even film indie stars like Parker Posey and Joey Lauren Adams.  When the film was released, it was a commercial dud, but I’ll be damned if it isn’t a cult classic. It contains Chris Farley’s best supporting role ever caught on film, where he plays the unlikely love interest Ronnie, and its riffs on the US immigration experience and laws are spot on and brilliant.  Anyway, I couldn’t get enough of the film, especially the scene where Beldar Conehead gets a 35 mm Kodak camera filled with glorious Kodachrome color film, and shoots his life on Earth with his family in the late seventies and eighties.  It’s a brilliant sequence set to Paul Simon’s classic hit song, “Kodachrome,” from his 1973 There Goes Rhymin’ Simon record.  Bit of trivia, the song was banned by the BBC in England for its use of a trademarked commercial item in the lyrics…kinda unfair considering how much commercialism is imprinted on our lives…just ask Andy Warhol.  So below, check out a sweet homemade “Kodachrome” video someone made, as well as the trailer for the legendary “Coneheads” film….See you next zearl!

How about that keyboard reflecting in Ray Charles’s sunglasses?  That’s rock and roll, or more specifically, the blues.  This legendary scene, from the “Blues Brothers” movie, is and irreplaceable document of blues rock awesomeness.  The Blues Brothers were a group formed by Dan Aykroyd and John Belushi, two SNL geniuses who loved the blues and came up with this brilliant concept for a Chicago based blues group.  The dark suits, hats, and shades are icons of TV and movie magic.  It’s just another example of the insane role that the likes of Aykroyd and Belushi were on in the late 70s/early 80s when it came to dominating the coolest ideas of global comedy.  The original Blues Brothers band consists mostly of the first SNL band, and they really cook.  It’s a reminder of how huge SNL was in the late 70s that even the band members got starring roles in a blockbuster feature film.  The movie, directed by hot 80s director John Landis, is a crazy car crashing romp of great music and fantastic dance sequences, evidenced below.  Check it out.